1. Amores Perros Soundtrack
2. Amores Perros Free
3. Amores Perros Soundtrack Torrent

Find a Various - Amores Perros (Soundtrack From The Motion Picture) first pressing or reissue. Complete your Various collection. Shop Vinyl and CDs. Amores perros, a Various Artists Album. Released November 14, 2000 on Polydor (catalog no. 524 933-2; CD). Genres: Film Soundtrack. Rated #720 in. Amores Perros (2000) SoundTracks on IMDb: Memorable quotes and exchanges from movies, TV series and more.

Soundtrack Credits

Amores Perros Soundtrack

Amores Perros Free

Amores Perros Soundtrack Torrent

Argentine producer/musician Gustavo Santaolalla has compiled a soundtrack that's almost as groundbreaking as Mexican director Alejandro González Iñárritu's remarkable debut, Amores Perros. The Oscar-nominated film has been compared to the work of Quentin Tarantino, Krzysztof Kieslowski, and Luis Buñuel. Just as Iñárritu, a former DJ, has smoothly woven together three seemingly disparate stories of passion, desperation, violence -- and dogs -- in contemporary Mexico City, Santaolalla has smoothly woven together pop, rap, techno, and other styles of music from an array of international talent (including legendary Cuban vocalist Celia Cruz) into a surprisingly cohesive whole, which, like the movie, is possibly longer than necessary -- but never boring. Most of the selections are performed in Spanish, with the exception of Santaolalla's gentle guitar-based instrumental interludes, British band Hollies' 1971 hit 'Long Cool Woman (In a Black Dress),' and Spanish rock group Dover's 'Love Is a Bitch' (a loose translation of the film's title). Highlights include Control Machete's funky 'Si Señor' and Titán's catchy, Michael Franti-produced 'Corazón,' with the repeated (Carole King-credited) lyrics 'yo te quiero/mi corazón' set to a sample-heavy beat (like Iñárritu, both groups hail from Mexico). Disc one features music from the film, whereas disc two features music inspired by it (and includes a few of the same artists). If the first is more successful, the second works better than the concept might indicate -- most of the pieces specifically refer to dogs, include samples of barking, etc. -- and represents an even wider variety of modern Latin musical styles.